It gives the impression that after a long, chastic time, interest within the film industry is increasing in crackling and exciting eroticism. Amazon has published a variety of erotic thrillers and sex feature films in the past few years: Deep Water with Ana de Armas and Ben Affleck, The Voyeurs with Euphoria and Madame Webb star Sydney Sweeney and many more. In the competition Netflix, the genre is also popular, controversial headlines and huge interest produced the streaming service with 365 Days and the recently published successor 365 Day - This Day.
Pleasure is also a big film with a lot of nudity and sex. However, less tingling entertainment with a suitable penny script is on the plan, but rather film art, visual playfulness and thematic depth - together with various porn stars, which underline the realism of the 108 -minute story. In our film criticism, we reveal what makes Ninja Thyberg's directorial debut so frighteningly good, which (ver) is bothering and who is worth it for.
Contents
1st page 1 film criticism of Pleasure: Directive debut full of sex and horror - page 1 1. 1.1 A of the oldest industries, with the youngest women 2. 1.2 Mit open eyes to the full feeling
2. Page 2 film criticism of Pleasure: Directive debut full of sex and horror - page 1 1. 2.1 with consent broken 3rd page 3bildergalerie on "Film criticism of Pleasure: Director of Direction full of sex and terror"
One last note: Of course we will not spoil anything, but we would like to pronounce a trigger warning: Among other things, we go into a rather violent scene in terms of a hardcore porn shoot, have been warned.
one of the oldest industries, with the youngest women
with open eyes to a full feeling
Anyone who now thinks that Pleasure paints an enormously dark and one -dimensional image of the porn industry is wrong. The feature film, which Ninja Thyberg presented as a short film in 2013, never puts a moral classification of the camera lens.
Instead, there is a lot of naked space for the blind, but also fulfilled passion, brutal misery, heartwarming friendships and - particularly strong - blatant contradictions that always move our perspective when we thought.
However, the contradictions can never be found in the Bella created for the lustful eyes of the world, nor in Linnéa's character or her focused action. Rather, it is the discrepancy between the two characters, with which Thyberg captivates the complexity of a socially unexplored industry in a refreshing way and puts it into the light.
_ It continues on page 2! _
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